bobloisland.blogspot.com is the new address, same Detroit state of mind though.
all of the mixes that have been previously posted on this page (Eargasms vols. 1 thru whatever, Kick Rocks, MJ, Primo, Luda, Gangsta Grillz 14, etc) will eventually make way to the new page so be patient with a brotha because the schedule's beginning to get a little hectic...
squo???
understand???
comprende???
holla...
Wednesday, September 3, 2008
Monday, August 18, 2008
the pic says it all shawty...
"Eargasms 6"
"Eargasms 6"
"Eargasms 6"
and yeah, catch me going back and forth between here and bobloisland.blogspot.com
fin...
Sunday, August 17, 2008
what a week this should be...
just got out of the brainasium, had a pretty cool session today. i laid down another Eargasms joint (which will be number 6) and lemme tell ya...
in addition to some timeless hiphop classics, i got really creative with the blending on this joint. records that i've always wanted to hear in a different context got my "blender" treatment and they came out of it just fine. for the most part, i kept it recognizable since i know that my 90's joint that i did a couple weeks back might've gone over a few heads. understand though, that wasn't intended to be a "best of" type of mix. just some of my personal faves that i always rocked with and i figured if Just Blaze could do one, why can't i?
anyway, so yeah i have two more joints dropping this week. Eargasms 6 and a collaboration mixtape with my favorite blog site (TSS is MAJOR!!!) based on the music and influence of one of hiphop's all-time greatest groups. the mix was done damn near a month ago but i've been sworn to maintain an air of mystery around it until it drops this week (FINALLY, lol). if you need some type of hint, the group has been in the game for 20 years, and it was a task trying to put all of their classics and dope ass album cuts & select soundtrack singles into 79 minutes and 30 seconds. i was up to the challenge though, and i believe that this mix can create new fans of the group, as well as make longtime fans be like "dayummmmmm!!"
that is all for now, gotta head to Cali this week for some equipment maintenance and shows later this week. maybe i'll finally get some Madden time in...
i'm aware that links to a couple of older Eargasms volumes (3 & 4) are dead so i'll be re-upping those shortly.
and Fubu, i heard u loud & clear buddy. the process has been more difficult than you'll ever know shawty. hit me up on the celly and we'll rap...
one last note. i have another blogspot page.
bobloisland.blogspot.com
bobloisland.blogspot.com
you ask why? hit it and find out...
in addition to some timeless hiphop classics, i got really creative with the blending on this joint. records that i've always wanted to hear in a different context got my "blender" treatment and they came out of it just fine. for the most part, i kept it recognizable since i know that my 90's joint that i did a couple weeks back might've gone over a few heads. understand though, that wasn't intended to be a "best of" type of mix. just some of my personal faves that i always rocked with and i figured if Just Blaze could do one, why can't i?
anyway, so yeah i have two more joints dropping this week. Eargasms 6 and a collaboration mixtape with my favorite blog site (TSS is MAJOR!!!) based on the music and influence of one of hiphop's all-time greatest groups. the mix was done damn near a month ago but i've been sworn to maintain an air of mystery around it until it drops this week (FINALLY, lol). if you need some type of hint, the group has been in the game for 20 years, and it was a task trying to put all of their classics and dope ass album cuts & select soundtrack singles into 79 minutes and 30 seconds. i was up to the challenge though, and i believe that this mix can create new fans of the group, as well as make longtime fans be like "dayummmmmm!!"
that is all for now, gotta head to Cali this week for some equipment maintenance and shows later this week. maybe i'll finally get some Madden time in...
i'm aware that links to a couple of older Eargasms volumes (3 & 4) are dead so i'll be re-upping those shortly.
and Fubu, i heard u loud & clear buddy. the process has been more difficult than you'll ever know shawty. hit me up on the celly and we'll rap...
one last note. i have another blogspot page.
bobloisland.blogspot.com
bobloisland.blogspot.com
you ask why? hit it and find out...
Thursday, August 14, 2008
my new single, "Headlights! (adjust them beams)"
i found the intro to this joint a few weeks back while doin' a little diggin and the shit was so hilarious to me that i just had to use it for something. so last Friday night, Apple Jac and I were having a impromptu turntable session and i started cutting the "adjust them beams" phrase and we just kept crackin the fuck up. next thing you know, the MPC was turned on and the result of that is what you now hear.
"Headlights! (Adjust Them Beams)" by The Sheckniculous Scissors Orchestra (Jaycee & Apple Jac)
side note: chick in photo is random, but i sho' would adjust them beams, lol...
Tuesday, August 12, 2008
Sky High: The Mizell Edition (aka the "Swingtown" edition, lol)
one thing that i will give my father the utmost credit for is very good musical sensibility. in addition to the regular rock & soul most kids gravitate towards, he exposed my young impressionable ears to the sounds of artists like Donald Byrd, Bobbi Humphrey, Hubert Laws, Hugh Masekela, Yusef Lateef, Fela Kuti, and Sadao Watanabe among many others. there was a lotta vinyl around the crib at all times and i used to sit for hours in my room intently reading liner notes, inquisitive about who played what instrument and who produced what. which leads me to mention the 2 guys in the above pic.
Larry & Fonce Mizell.
you're scratching your head "who???" here's their Wikipedia entry (under Mizell Brothers)
The Mizell Brothers were a highly influential production team in the 1970s, consisting of Larry and Alphonzo Mizell.[1]
In the early seventies Larry and Fonce Mizell moved to California to start their own company Sky High Productions. They went on to produce albums for Blue Note with Donald Byrd, Bobbi Humphrey, and Johnny "Hammond" Smith that set the tone for fusion and the era.
The Mizell Brothers often used the same musicians on their albums, including Harvey Mason on drums, Melvin 'Wah Wah' Ragin on guitar, Chuck Rainey on bass and Jerry Peters on piano. Freddy Perren and Chuck Davis were often involved as co-writers or co-producers. Later hits of Sky High Productions include LTD's 'Love Ballad' and A Taste Of Honey's roller-rink anthem 'Boogie, Oogie, Oogie'. Younger brother Rodney Mizell also co-wrote some of their songs.
During the seventies the Mizell Brothers wrote and produced albums by Donald Byrd, Bobbi Humphrey, Johnny Hammond Smith, Gary Bartz, LTD ("Love Ballad"), Rance Allen and Roger Glenn. Most albums featured the same musicians, including Harvey Mason, Sr. on drums, Chuck Rainey or James Jamerson on bass, Melvin "Wah Wah Watson" Ragin on guitar, Jerry Peters on piano and Stephanie Spruill on percussion. At the end of the seventies, the Mizell Brothers discovered A Taste of Honey and produced their first two albums, including the hit single "Boogie Oogie Oogie".
In the 1980s, the Mizell brothers retired from the record industry.
now...
the reason for this post is because after all these years of digging pretty much everything these 2 guys have ever laid down in the studio, i finally decided to make a mix of my favorites. Apple Jac had been getting on me for years to do an all Donald Byrd joint, but the Mizell production touch wasn't exclusive to just him so i included other artists as well.
the mix is basically 70's funk/fusion/Sample Clearance/Jaycee, that's the best way i can explain it and i hope you enjoy. a lotta this stuff should be very recognizable, and if not the music is so good you'll just rock with it anyway.
there are a couple glitches in the matrix, but that kinda adds to the appeal i think. normally i'd scrap it and start from scratch but fuck it, lol...
one more thing: no "Ultimate Breaks & Beats" were used or harmed in the making of this mix...
"Sky High: The Mizell Edition" (rapidshare)
"Sky High: The Mizell Edition" (divshare)
"Sky High: The Mizell Edition" (zshare)
"Sky High: The Mizell Edition" (megaupload)
Saturday, August 9, 2008
perfect "mood" music: Kissin' In The Crates Vol.1 thru 4, get em' NOW!!!
before "Babies Making Babies", there was "Kissin' In The Crates", a 4 volume set of soulful gems compiled by my homeskillet Apple Jac. these compilations were recorded between 2001 & 2002 and for those of you who may be like "where have i heard the name Apple Jac before?", i posted a dope mix of his entitled "Obscurely Familiar" around these parts earlier this year.
some of these joints may be familiar to us because they've been sampled by some of our faves recently, and some haven't but all and all, this is good quality music that we can all get down with point blank period.
Volume 1
Volume 2
Volume 3
Volume 4
Director's Cut
(the director's cut contains songs that didn't make the transfer from the original 90min cassette version to 74 minute cd's.)
enjoy, and give the homie a holla at myspace.com/applejac, let him know what you think.
and FYI, that's not a shot at the homie ?uestlove and his "Babies Making Babies" series on BBE. just tryin to help spread some more really good "mood" music around, that's all...
peace...
some of these joints may be familiar to us because they've been sampled by some of our faves recently, and some haven't but all and all, this is good quality music that we can all get down with point blank period.
Volume 1
Volume 2
Volume 3
Volume 4
Director's Cut
(the director's cut contains songs that didn't make the transfer from the original 90min cassette version to 74 minute cd's.)
enjoy, and give the homie a holla at myspace.com/applejac, let him know what you think.
and FYI, that's not a shot at the homie ?uestlove and his "Babies Making Babies" series on BBE. just tryin to help spread some more really good "mood" music around, that's all...
peace...
Friday, August 8, 2008
not for everybody...
we all have things that only we laugh at and others look at us like "wtf?" cause i'll admit, sometimes i'm amused by the most inane shit. allow me to share a few things that instantly crack me the FUCK up.
Thursday, August 7, 2008
about fuckin' time...
now i guess this means that i can go ahead and ahem, do a mixtape with Tip now eh?
(smh) riiiiiiiiiiiiiiiiiight...
anyway, Ludacris feat. TI "Wish You Would" produced by DJ Toomp, from the upcoming "Theater Of The Mind" album dropping on October 21st...
Dirty: http://www.zshare.net/audio/1668622172bfdf93/
Dirty: http://www.mediafire.com/?kadn0bryawj
Clean: http://www.zshare.net/audio/166860741026bd8b/
Clean: http://www.mediafire.com/?rmwbgls5wg0
Wednesday, August 6, 2008
Eva!!! in black & white...
been digging her since meeting at the 2Fast 2Furious premiere years back. absolutely gorgeous, she could get it 50 ways til' Sunday haha...
on the real...
how do i feel about this?
not quite sure.
on the one hand, hearing a muhfucka randomly say (insert name here) "gives head!!!" is kinda hilarious as all get out.
but then having a muhfucka just as randomly blurt out "NIGGER!!" upon seeing any black person is equal parts disturbing as well as potentially dangerous because if said around the WRONG niggro, all types of wrongness could happen.
speak on it...
Tuesday, August 5, 2008
"fuck a title, it's DOPE!!!" (that's all that matters)
this mix features some of my favorite 90's joints by Diamond, De La Soul, EPMD, Onyx, The Beatnuts, King Sun, Pete Rock & CL Smooth, X-Clan, Grand Daddy I.U., Low Profile, Da King & I, Ice Cube, Ultramagnetic, A Tribe Called Quest, Grand Puba, Showtime, Redman, and many many more. peep the tracklisting...
sike!!! u know better than that, get your listening skills up...
"Fuck A Title, it's DOPE!!! (that's all that matters) link 1 (rapidshare)
"Fuck A Title, it's DOPE!!! (that's all that matters) link 2 (sendspace)
"Fuck A Title, it's DOPE!!! (that's all that matters) link 3 (zshare)
"Fuck A Title, it's DOPE!!! (that's all that matters) link 4 (divshare)
2 new mixtapes coming by week's end...
1. untitled as of yet and with about 12 minutes to complete on it, this is basically a foray into some of my favorite 90's hiphop joints. it isn't the "definitive BEST of the 90's" type of mix, but if you're a hiphop head as i am, you'll definitely be familiar with the joints i'm using. the intro may throw you for a loop for a sec because i'm using "Public Service Announcement" in the intro, but as it progresses it makes total sense. you'll see what i mean as you listen. if you don't hear one of YOUR faves on the first installment, don't fret. there will definitely be more volumes to come...
2. a collaboration mixtape with my favorite blog site based on the music and influence of one of hiphop's all-time greatest groups. the mix was done 2 weeks ago but i've been sworn to maintain an air of mystery around it until it drops this weekend. if you need some type of hint, the group has been in the game for 20 years, and it was a task trying to put all of their classics and dope ass album cuts & select soundtrack singles into 79 minutes and 30 seconds. i was up to the challenge though, and i believe that this mix can create new fans of the group, as well as make longtime fans be like "dayummmmmm!!"
that is all for now, back to the brainasium i go...
2. a collaboration mixtape with my favorite blog site based on the music and influence of one of hiphop's all-time greatest groups. the mix was done 2 weeks ago but i've been sworn to maintain an air of mystery around it until it drops this weekend. if you need some type of hint, the group has been in the game for 20 years, and it was a task trying to put all of their classics and dope ass album cuts & select soundtrack singles into 79 minutes and 30 seconds. i was up to the challenge though, and i believe that this mix can create new fans of the group, as well as make longtime fans be like "dayummmmmm!!"
that is all for now, back to the brainasium i go...
Saturday, August 2, 2008
my current most hottest song in the whole world ever this week...
is "How We Rock" by Termanology feat. Bun B produced by the one and only DJ Premier.
first off, Term's verses are pretty cool but GODDAMMIT Bun B WENT IN!!! he sounds like he's been working with Primo for years but this is the first time the Texas natives have ever worked together. here's hoping that they do more shit in the future.
see how good he sounds over production that he isn't normally accustomed to??? it's because he's willing to try something different and challenge himself as an MC, something that i've been trying (ahem...ahem) to tell someone that i work with for the past few years with no luck. not about to try and beat niggaz in the head with shit they should already know...
and last but certainly not least, you gotta give super props to the man on the MPC cause this beat is HARD AS FUCK!!! to quote myself from an interview i did earlier this year "how do Jay and Nas shit on Premier beats and then turn around and accept Swizz Beats?" like i understand the need to have a variety of tracks on an album but there should be a LAW stating that any rapper with any type of worthwhile lyrical dexterity should have a Premier track on their album.
imagine Ludacris spitting some ill shit on one of these type joints...
yeah exactly. in the meantime, check out my current most hottest song in the whole world ever this week...
Termanology featuring Bun B "How We Rock" produced by DJ Premier
Wednesday, July 30, 2008
things that make me go "hmmm..."
i originally posted this earlier and then added my two cents afterwards. then i decided that i don't wanna make any waves so i erased the whole post and started anew. all i'm gonna say though, is that it's good that other people are starting to catch on to certain things that i've felt for a long time now. read the following article and figure it out for yourselves. i wish i knew who this author was...
originally posted at atlstatus.blogspot.com on July 15th, 2008
Ludacris & Dj Drama appeared on MTV recently to talk about Luda's new mixtape that's about to drop called "The Prequel" as a part of DJ Drama's "Gangsta Grillz" series. They both comment in the video as to why it took them so long to get together in collaborating on a mixtape. Well let's see.....maybe it's because T.I. & Ludacris had beef at one point? (Maybe they still do, but T.I.'s got bigger issues to worry about these days)
It's not a secret that DJ Drama is T.I.'s deejay & they've made big moves together throughout their careers thus far. Sooooooooo...you don't want to appear to be biting the hand that's feeding you so maybe that's one of the reasons why it took them so long to get together. Then again maybe it's because the dollars or business outside of the creative part may have been an obstacle. Anyway who knows & who cares as long as Luda keeps flexing those lyrical talents. Over here we don't care about the business because we are consumers of good music & solely focus on the music. Which is why we all noticed something very interesting in our discussions about Ludacris with his very successful career thus far.
Although Ludacris is a very talented lyricist outshining many other rappers on the same song & has plenty of solo hit singles, it feels like he's never put out an album that you could listen to all the way through. He has yet to make THE classic album like an Illmatic, Ready To Die, Reasonable Doubt, Atliens, The Chronic, KING, Low End Theory, All Eyez On Me, & Only Built For Cuban Linx, among others. Quite simply Ludacris is "Paid In Full", but he's yet to make everyone in the game "Follow The Leader". It's not that he's not talented enough, but maybe he could take the advice of a group of people including one that's already close to him. His deejay...DJ Jaycee. DJ Jaycee is one of the most talented deejays in Atlanta & is very knowledge about hip hop music. Why hasn't Ludacris done a high powered mixtape with the direction & ideas of his own deejay? Jaycee is definitely not a "internet" deejay because the kid has skills & can battle the best of them. We're postive the mixtape would be interesting with the choice of tracks used & the deejaying talents being exploited.
If Ludacris's new album "Theatre of The Mind" is already completed, then it's understandable that some of these ideas couldn't come into play immediately. But for an artist like Ludacris, why not employ a team of a few deejays he respects to A&R or provide a musical & creative direction for the next musical project? Many deejays put out creative mixtapes so for Ludacris's elusive "Classic" album he should have a good A&R team of deejays to sit in the studio & provide ideas. Most artists should employ a team of deejays to maybe go in the studio with the artist & work. It's just a suggestion. Also it would be a wise idea to start at home & to drop a mixtape with one of the few people who probably knows Ludacris best at this point. His name is DJ Jaycee & he's already Ludacris's deejay.
*Editor's note: We're not trying to get Dj Jaycee fired, but it was an observation by many of us here at ATLstatus.com
originally posted at atlstatus.blogspot.com on July 15th, 2008
Ludacris & Dj Drama appeared on MTV recently to talk about Luda's new mixtape that's about to drop called "The Prequel" as a part of DJ Drama's "Gangsta Grillz" series. They both comment in the video as to why it took them so long to get together in collaborating on a mixtape. Well let's see.....maybe it's because T.I. & Ludacris had beef at one point? (Maybe they still do, but T.I.'s got bigger issues to worry about these days)
It's not a secret that DJ Drama is T.I.'s deejay & they've made big moves together throughout their careers thus far. Sooooooooo...you don't want to appear to be biting the hand that's feeding you so maybe that's one of the reasons why it took them so long to get together. Then again maybe it's because the dollars or business outside of the creative part may have been an obstacle. Anyway who knows & who cares as long as Luda keeps flexing those lyrical talents. Over here we don't care about the business because we are consumers of good music & solely focus on the music. Which is why we all noticed something very interesting in our discussions about Ludacris with his very successful career thus far.
Although Ludacris is a very talented lyricist outshining many other rappers on the same song & has plenty of solo hit singles, it feels like he's never put out an album that you could listen to all the way through. He has yet to make THE classic album like an Illmatic, Ready To Die, Reasonable Doubt, Atliens, The Chronic, KING, Low End Theory, All Eyez On Me, & Only Built For Cuban Linx, among others. Quite simply Ludacris is "Paid In Full", but he's yet to make everyone in the game "Follow The Leader". It's not that he's not talented enough, but maybe he could take the advice of a group of people including one that's already close to him. His deejay...DJ Jaycee. DJ Jaycee is one of the most talented deejays in Atlanta & is very knowledge about hip hop music. Why hasn't Ludacris done a high powered mixtape with the direction & ideas of his own deejay? Jaycee is definitely not a "internet" deejay because the kid has skills & can battle the best of them. We're postive the mixtape would be interesting with the choice of tracks used & the deejaying talents being exploited.
If Ludacris's new album "Theatre of The Mind" is already completed, then it's understandable that some of these ideas couldn't come into play immediately. But for an artist like Ludacris, why not employ a team of a few deejays he respects to A&R or provide a musical & creative direction for the next musical project? Many deejays put out creative mixtapes so for Ludacris's elusive "Classic" album he should have a good A&R team of deejays to sit in the studio & provide ideas. Most artists should employ a team of deejays to maybe go in the studio with the artist & work. It's just a suggestion. Also it would be a wise idea to start at home & to drop a mixtape with one of the few people who probably knows Ludacris best at this point. His name is DJ Jaycee & he's already Ludacris's deejay.
*Editor's note: We're not trying to get Dj Jaycee fired, but it was an observation by many of us here at ATLstatus.com
Friday, July 25, 2008
fucking GENIUS!!!
Prince Paul once said that "if you have a creative mind, you can do ANYTHING!!!"
you're probably wondering why on earth is Jaycee quoting Prince Paul?
well, take a look at this picture.
yeah i know. you're probably thinking "what the fuck are you posting a pic of that old cheap ass Casio keyboard that niggas used to see in Kmart (on Glenwood or the one on Old National before Creflo got to it) and Zayre (on Candler Road) back in the day?"
well, take a look at this album cover...
now you're probably thinking "THAT album was made with THAT cheap ass Casio keyboard???"
my answer is "not entirely, but it played a HUGE part".
don't believe me?
take a look at this video and pay CLOSE attention to the 1:08, 3:02, and 3:59 markers and you'll that the above pictured keyboard is prominently featured in the production setups of Prince Paul and Maseo.
just for the simple reason that this was used AT ALL in the making of an album that was so monumental in hiphop, is reason enough for Prince Paul to be considered as one of the all time greats. next time u listen to that album, refer back to this piece. i guarantee you'll appreciate it even more than you already did...
you're probably wondering why on earth is Jaycee quoting Prince Paul?
well, take a look at this picture.
yeah i know. you're probably thinking "what the fuck are you posting a pic of that old cheap ass Casio keyboard that niggas used to see in Kmart (on Glenwood or the one on Old National before Creflo got to it) and Zayre (on Candler Road) back in the day?"
well, take a look at this album cover...
now you're probably thinking "THAT album was made with THAT cheap ass Casio keyboard???"
my answer is "not entirely, but it played a HUGE part".
don't believe me?
take a look at this video and pay CLOSE attention to the 1:08, 3:02, and 3:59 markers and you'll that the above pictured keyboard is prominently featured in the production setups of Prince Paul and Maseo.
just for the simple reason that this
was used AT ALL in the making of an album that was so monumental in hiphop, is reason enough for Prince Paul to be considered as one of the all time greats. next time u listen to that album, refer back to this piece. i guarantee you'll appreciate it even more than you already did...
Tuesday, July 22, 2008
the biggest farce that we've seen thus far...
lotta my favorite blog sites have already spoken volumes on Rick Ross being exposed so i'ma just post this video and leave it at that.
damn homie.
i won't front, although i never really got into his whole "drug kingpin" scheme, some of his tracks are musically on point. "Luxury Tax" and "Maybach Music" were my personal favorites from the new album that got a decent amount of burn from me in my sets. where his career will go from here, who knows. i mean, if Wayne can be seen kissing a nigga in the mouth and still sell "a milli" in the first week, then i guess he'll be okay lol...
damn homie.
i won't front, although i never really got into his whole "drug kingpin" scheme, some of his tracks are musically on point. "Luxury Tax" and "Maybach Music" were my personal favorites from the new album that got a decent amount of burn from me in my sets. where his career will go from here, who knows. i mean, if Wayne can be seen kissing a nigga in the mouth and still sell "a milli" in the first week, then i guess he'll be okay lol...
Thursday, July 17, 2008
it's a Detroit thang, you wouldn't understand. (part one)
one night while browsing YouTube, i came across some old ass commercials and shows i used to watch on tv when i lived in the city. a slight tear began to fall (lol!!) so i had to repost them here. if you're from the D like i am, you'll enjoy these clips. if not, it's all good. this post really isn't for you to understand anyway, haha...
the old Detroit Zoo joint
who DOESN'T remember the Highland Appliance commercials?
or Ollie Fretter?
and what about these nigtastic commercials on Channel 62? (take special note of the R.J. Rice studio commercial, that's where the late J Dilla (RIP) crafted a lot of the memorable Slum Village material at, in MY hood nigga! it used to be the old Northland Mall movie theater that me and my cousins used to walk to and catch flicks at)
and speaking of Channel 62, most of us tuned into that channel to watch The Scene ahem, The New Dance Show. it was our local version of Soul Train (ha!) hosted by the one and only Nat Morris. don't front, your city probably had their own version of it too ("cough" Atlanta Jamz "cough") but i'm sure it wasn't as niggtacular as these clips, lol...
if you thought THAT was fresh, bust this...
i'll be back with more joints later...
the old Detroit Zoo joint
who DOESN'T remember the Highland Appliance commercials?
or Ollie Fretter?
and what about these nigtastic commercials on Channel 62? (take special note of the R.J. Rice studio commercial, that's where the late J Dilla (RIP) crafted a lot of the memorable Slum Village material at, in MY hood nigga! it used to be the old Northland Mall movie theater that me and my cousins used to walk to and catch flicks at)
and speaking of Channel 62, most of us tuned into that channel to watch The Scene ahem, The New Dance Show. it was our local version of Soul Train (ha!) hosted by the one and only Nat Morris. don't front, your city probably had their own version of it too ("cough" Atlanta Jamz "cough") but i'm sure it wasn't as niggtacular as these clips, lol...
if you thought THAT was fresh, bust this...
i'll be back with more joints later...
Monday, July 14, 2008
i hear that too much chocolate can give you cavities...
well call me a cavity creep then...
ATTACK!!!! haha...
Young Berg what is your problem?
ATTACK!!!! haha...
Young Berg what is your problem?
Sunday, July 13, 2008
i'm goin' to Diznee World...
and just in case you may be thinking that her curves are a product of good ol' airbrushing and Photoshop, check the vid at the bottom...
and she's only 19!!! where the hell were all the chicks who were built like this when i was 19??? dayummm...
Friday, July 11, 2008
that Obama's so ILL....
my man KayDee out in Phoenix put me up on this song the other day, but i just came across this video a few minutes ago. it was only a matter of time before someone did it and i can already hear DJ's bringing back the "obama obama obama obama obo obo" a few zillion times once (if) he wins the presidency. vid's kinda funny, felt like i should share it with you all...
contains the notable quotable "he's okay, but his wife's sick, and her back's thick, and her walk's slick, she's a fly chick....I'D HIT!!!!"
that Obama's so ILL...
contains the notable quotable "he's okay, but his wife's sick, and her back's thick, and her walk's slick, she's a fly chick....I'D HIT!!!!"
that Obama's so ILL...
Thursday, July 10, 2008
Saturday, June 28, 2008
me clowning during soundcheck...
normally soundcheck isn't that much fun of a task. i'm not really that fond of playing the "hurry up and wait" game with sound crews that don't have their shit together. DJ's who tour regularly know what i speak of: when "they" (sound crews) demand that you be at the venue at a very specific time and then once you get there, the equipment isn't even set up, forcing you to wait around and twiddle your fucking thumbs because of their incompetence, cutting into your personal time that you could be out copping some ill sneaks or records, or doing uh, yaddadamean???
but every now and then you run into a crew that is so on point (the Dub Car Show 2008 peeps) that soundcheck is fun. like today for instance in Chicago. today was one of those days where i had to break out the turntable cam.
peep me "needle dropping" and cutting up breaks, clearly having a good time. and that my friends, is part of what touring life is all about...
but every now and then you run into a crew that is so on point (the Dub Car Show 2008 peeps) that soundcheck is fun. like today for instance in Chicago. today was one of those days where i had to break out the turntable cam.
peep me "needle dropping" and cutting up breaks, clearly having a good time. and that my friends, is part of what touring life is all about...
Friday, June 27, 2008
my theme music...
i was watching "I'm Gonna Get You Sucka" this morning, and a line at the end of the movie gave me some quick, humorous inspiration.
Jack Spade said that "every hero needs his own theme music", and it was dope how KRS-One and D-Nice came in with the ill Dapper Dan leathers and performed "Jack Of Spades" while following him around. classic moment right?
well, without anyone following me around this is my theme music, haha...
Jack Spade said that "every hero needs his own theme music", and it was dope how KRS-One and D-Nice came in with the ill Dapper Dan leathers and performed "Jack Of Spades" while following him around. classic moment right?
well, without anyone following me around this is my theme music, haha...
Wednesday, June 18, 2008
the Big Apple...
meet Leonie Nicole. Originally from Jamaica, but raised in the Boogie Down BRONX and currently featured in the latest issue of Smooth Magazine...
in the words of Project Pat, "good gooogaly mooogaly!"
Monday, June 16, 2008
tell em' why you mad son, haha...
this is some funny shit. this muhfucka is crispy as hell with a perm calling some shit country...
Friday, June 6, 2008
i'm a part of comedy history...
on this day of taping a performance of "Stand Up" in a rundown NYC car repair shop in late September or October '03, i don't think that any of us present knew that we were about to become a part of comedy history. yeah we knew Chapelle's Show was funny as hell but it seemed like it was only "us" (black people) that really "got it". yea, white people knew about it but they hadn't quite latched on to Dave yet. that all changed after THIS episode...
at the time of taping, we didn't know what sketches were gonna be on this particular episode whenever it aired. we just knew that we couldn't wait for it to air, lol...
the show producers were like "you don't have to really scratch if you don't want to because we only have 1 turntable, but we can give you a mic in order for you to be one of the additional hypemen."
i ain't no muhfuckin' rapper slash hypeman and Luda already had 3 muhfuckas doing adlibs that day (Fate, 20, and Tity Boi) so i basically said "hook that turntable up shawty and let's get it poppin".
can u say "good choice?"
not only did i get a lotta "face time", but the scratches i laid down during the performance were some of the best that i'd ever done in that type of setting (at that point in my career, lol). basically, upon deciding to scratch the classic Public Enemy #1 soundbite "1, 1, 1, hoo-hah", i knew that i had to do proper justice to it (just like a couple of my DJ heroes Jazzy Jeff and DJ Scratch did before me on classic records) and boy did i ever....
so much so that when the show finally aired a couple weeks later i got soooooooooooo many hits from DJ's around the country like "yo nigga you were killing that shit on Chappelle last night!!" as a DJ, that qualifies as one of those moments that you live for because you know that your peers are gonna be watching intently and paying attention to EVERY little thing you do or don't do so you gotta represent....
why this performance never made it to the DVD's of Chappelle's Show is beyond me, that's a question you gotta ask Chaka Zulu or Kevin Liles cause i heard that there was some type of clearance issue (????) but i wasn't privy to the exact details. all i know is that whenever i see this episode being rerun i get HYPED cause i know i held it down for all the REAL DJ's in the world.
thank you Marisa for unearthing this gem for me...
y'all holla back now ya hear???
Jaycee on Chappelle's Show
at the time of taping, we didn't know what sketches were gonna be on this particular episode whenever it aired. we just knew that we couldn't wait for it to air, lol...
the show producers were like "you don't have to really scratch if you don't want to because we only have 1 turntable, but we can give you a mic in order for you to be one of the additional hypemen."
i ain't no muhfuckin' rapper slash hypeman and Luda already had 3 muhfuckas doing adlibs that day (Fate, 20, and Tity Boi) so i basically said "hook that turntable up shawty and let's get it poppin".
can u say "good choice?"
not only did i get a lotta "face time", but the scratches i laid down during the performance were some of the best that i'd ever done in that type of setting (at that point in my career, lol). basically, upon deciding to scratch the classic Public Enemy #1 soundbite "1, 1, 1, hoo-hah", i knew that i had to do proper justice to it (just like a couple of my DJ heroes Jazzy Jeff and DJ Scratch did before me on classic records) and boy did i ever....
so much so that when the show finally aired a couple weeks later i got soooooooooooo many hits from DJ's around the country like "yo nigga you were killing that shit on Chappelle last night!!" as a DJ, that qualifies as one of those moments that you live for because you know that your peers are gonna be watching intently and paying attention to EVERY little thing you do or don't do so you gotta represent....
why this performance never made it to the DVD's of Chappelle's Show is beyond me, that's a question you gotta ask Chaka Zulu or Kevin Liles cause i heard that there was some type of clearance issue (????) but i wasn't privy to the exact details. all i know is that whenever i see this episode being rerun i get HYPED cause i know i held it down for all the REAL DJ's in the world.
thank you Marisa for unearthing this gem for me...
y'all holla back now ya hear???
Jaycee on Chappelle's Show
Thursday, June 5, 2008
fun on the tables...
the first clip is from Ludacris' performance at the Greek Theater last week for the Battleground Earth tv show that airs August 3rd. i felt like having a rock star moment since Tommy Lee was onstage drumming during the performance so i had to incorporate the "turntable cam". the audio is kinda fuzzy but u get the idea...
Wednesday, June 4, 2008
me being crazy...
i like to have fun when i travel. so much so, that sometimes i find myself doing some downright niggerish shit ey' now and then.
case in point, my flight home to Atlanta after 4 days in Phoenix, Arizona.
when sitting in first class for trips longer than 3 hours you get fed, and i must say that depending on the airline, the food is pretty decent. but on this day in particular i wanted some soul food and we all know Delta ain't servin' no crispy fried chicken, red beans, collard greens and Jiffy cornbread on the plane. so on the way to the airport i make a stop at Mrs. White's Golden Rule for some of that soul...
and i took it on the plane with me. yea, i could've eaten it before boarding but what fun would that have been?
case in point, my flight home to Atlanta after 4 days in Phoenix, Arizona.
when sitting in first class for trips longer than 3 hours you get fed, and i must say that depending on the airline, the food is pretty decent. but on this day in particular i wanted some soul food and we all know Delta ain't servin' no crispy fried chicken, red beans, collard greens and Jiffy cornbread on the plane. so on the way to the airport i make a stop at Mrs. White's Golden Rule for some of that soul...
and i took it on the plane with me. yea, i could've eaten it before boarding but what fun would that have been?
Saturday, May 31, 2008
shhh, announcement coming soon...
this isn't really the time to speak on it yet but an opportunity just came outta the blue this afternoon that if all goes right, will be a great step...
i REALLY wanna say something but give me a couple days to get things squared away.
in the meantime let's just say that i was specifically sought out...
holla...
i REALLY wanna say something but give me a couple days to get things squared away.
in the meantime let's just say that i was specifically sought out...
holla...
Sunday, May 25, 2008
my new bio (with 9 mixtape links included)
If the earliest memory of yourself is one of being popped on the hands by your aunt at the tender age of 2 for messing with her records and stereo, or if your allowance was spent on nothing but records, one would have no choice but to say that a career in music chose you.
Such was the exact case for Detroit native Jaycee. Having been exposed to a very diverse selection of music being played around the house as a child that included such legendary artists as Stevie Wonder, KISS, The Isley Brothers, Aretha Franklin, The Jacksons, Roy Ayers, Prince, and Donald Byrd just to name a few, it was inevitable that he'd become a music aficionado, but the turning point towards becoming a versatile globetrotting party rocking DJ came after hearing legendary Detroit DJ's such as The Wizard and Mojo on the radio, buying the record "The Adventures Of Grandmaster Flash On The Wheels Of Steel" and witnessing a DJ by the name of Michael Saunders mix and scratch records during a school dance. Those moments, combined with music theory that he already knew by virtue of playing instruments such as the clarinet and the drums in the school band, led Jaycee to his current instruments of choice: 2 Technics turntables and a Rane mixer.
Upon relocating to Atlanta, Jaycee began his assault on the local music scene by being the DJ and producer of a local group who opened up shows for headlining hiphop acts like A Tribe Called Quest, Gang Starr, Redman, and KRS-One, and then by entering each and every DJ battle he heard about where he pretty much destroyed all competition. Being a battle champion then led him to the community and college radio mixshow circuit where he quickly stood out from other DJ's by displaying such skill and creativity on the turntables that his name suddenly began ringing bells in the city as THE upcoming DJ to pay attention to. The bells rang loud enough to catch the attention of So So Def's DJ Nabs who then took Jaycee under his wing and began featuring him on his show "The Thunderstorm" in late '95 on V103, which is the biggest urban radio station in Atlanta. Jaycee quickly went from making guest appearances on that show to being officially hired by the station and soon he became a musical mainstay in the city scene by spinning sets and destroying turntables at legendary Atlanta venues like The Warehouse, Velvet, Kaya, The Chili Pepper, and Vision (to name just a short few) as well as hosting and spinning on his own V103 mixshow called "The Late Nite Mixtape" where in addition to playing the regular mainstream hits, he also embraced other styles and genres of music in a way that DJ's before him had been scared to include in their sets. You'd never quite know in advance what tricks Jaycee would have up his sleeve, but after slightly revealing his hand, he kept your ear permanently glued to the radio eagerly anticipating more.
It was this regular routine display of musical knowledge and turntable dexterity which caught the eye and ear of one Chris Bridges a.k.a. Ludacris, and prompted him to personally ask Jaycee to be the only DJ to ever accompany him onstage. And from that point in September 2000 until now, Jaycee has displayed his skills in virtually every media platform that features live performances. From prestigious award shows such as the Grammys, the American Music Awards, the VMA's, and the BET Awards, to shows such as Rap City, TRL, 106 & Park, Saturday Night Live, David Letterman, The Tonight Show with Jay Leno, Carson Daly, Ellen, The Tyra Banks Show as well as historical performances at Live Earth and Nelson Mandela's 46664 Concert for World AIDS Day, there isn't a stage around the WORLD that Jaycee hasn't been on and rocked.
Plans for his next career move include music production because his ear for good music has proven to be golden at all times but through it all, Jaycee maintains a diehard love for rocking at clubs whenever and wherever possible because it keeps his keen sense of reading crowds sharp as well as musically keeping him on his toes. He's also a member of the dopest DJ crew in Atlanta The Aphilliates, through which he's released a few timeless mixtape classics of his own. Jaycee's extensive experience and unbridled passion for music has established him as a force to be reckoned with and many would say that this was destined from day one.
links to mixes by Atlanta's most versatile DJ are right here....
Jaycee Sez Kick Rocks!!
Michael Jackson: The Soulful Years
Eargasms
Eargasms: Version 2.0
Eargasme Le' Trois (part three)
Eargasms 4
Pizza At Primo's Vol. 1
Jaycee is "In Effect Mode"
Deja Vu: Jaycee & Don Cannon (hosted by Pharrell)
Such was the exact case for Detroit native Jaycee. Having been exposed to a very diverse selection of music being played around the house as a child that included such legendary artists as Stevie Wonder, KISS, The Isley Brothers, Aretha Franklin, The Jacksons, Roy Ayers, Prince, and Donald Byrd just to name a few, it was inevitable that he'd become a music aficionado, but the turning point towards becoming a versatile globetrotting party rocking DJ came after hearing legendary Detroit DJ's such as The Wizard and Mojo on the radio, buying the record "The Adventures Of Grandmaster Flash On The Wheels Of Steel" and witnessing a DJ by the name of Michael Saunders mix and scratch records during a school dance. Those moments, combined with music theory that he already knew by virtue of playing instruments such as the clarinet and the drums in the school band, led Jaycee to his current instruments of choice: 2 Technics turntables and a Rane mixer.
Upon relocating to Atlanta, Jaycee began his assault on the local music scene by being the DJ and producer of a local group who opened up shows for headlining hiphop acts like A Tribe Called Quest, Gang Starr, Redman, and KRS-One, and then by entering each and every DJ battle he heard about where he pretty much destroyed all competition. Being a battle champion then led him to the community and college radio mixshow circuit where he quickly stood out from other DJ's by displaying such skill and creativity on the turntables that his name suddenly began ringing bells in the city as THE upcoming DJ to pay attention to. The bells rang loud enough to catch the attention of So So Def's DJ Nabs who then took Jaycee under his wing and began featuring him on his show "The Thunderstorm" in late '95 on V103, which is the biggest urban radio station in Atlanta. Jaycee quickly went from making guest appearances on that show to being officially hired by the station and soon he became a musical mainstay in the city scene by spinning sets and destroying turntables at legendary Atlanta venues like The Warehouse, Velvet, Kaya, The Chili Pepper, and Vision (to name just a short few) as well as hosting and spinning on his own V103 mixshow called "The Late Nite Mixtape" where in addition to playing the regular mainstream hits, he also embraced other styles and genres of music in a way that DJ's before him had been scared to include in their sets. You'd never quite know in advance what tricks Jaycee would have up his sleeve, but after slightly revealing his hand, he kept your ear permanently glued to the radio eagerly anticipating more.
It was this regular routine display of musical knowledge and turntable dexterity which caught the eye and ear of one Chris Bridges a.k.a. Ludacris, and prompted him to personally ask Jaycee to be the only DJ to ever accompany him onstage. And from that point in September 2000 until now, Jaycee has displayed his skills in virtually every media platform that features live performances. From prestigious award shows such as the Grammys, the American Music Awards, the VMA's, and the BET Awards, to shows such as Rap City, TRL, 106 & Park, Saturday Night Live, David Letterman, The Tonight Show with Jay Leno, Carson Daly, Ellen, The Tyra Banks Show as well as historical performances at Live Earth and Nelson Mandela's 46664 Concert for World AIDS Day, there isn't a stage around the WORLD that Jaycee hasn't been on and rocked.
Plans for his next career move include music production because his ear for good music has proven to be golden at all times but through it all, Jaycee maintains a diehard love for rocking at clubs whenever and wherever possible because it keeps his keen sense of reading crowds sharp as well as musically keeping him on his toes. He's also a member of the dopest DJ crew in Atlanta The Aphilliates, through which he's released a few timeless mixtape classics of his own. Jaycee's extensive experience and unbridled passion for music has established him as a force to be reckoned with and many would say that this was destined from day one.
links to mixes by Atlanta's most versatile DJ are right here....
Jaycee Sez Kick Rocks!!
Michael Jackson: The Soulful Years
Eargasms
Eargasms: Version 2.0
Eargasme Le' Trois (part three)
Eargasms 4
Pizza At Primo's Vol. 1
Jaycee is "In Effect Mode"
Deja Vu: Jaycee & Don Cannon (hosted by Pharrell)
now boarding Delta, destination: HELL!!!
and whomever clicks the play button and laughs just the slightest bit, y'all are coming with me on this flight as well.
at least i'm admitting upfront that it's funny...
i'll also say that whoever took the time to put this together obviously had nothing better to do that day...
Saturday, May 24, 2008
a clip from my current favoritest movie "Grandma's Boy"
i must admit i was totally unaware of this movie until about a month and a half ago when my homie Marisa introduced me to it. initially upon first viewing i was DOG ASS TIRED from hitting up 5 cities in the course of 4 days and playing/partying/spinning hard during said days and although i recognized that the movie was funny as hell i fell asleep on it. i mean, when jet lag catches up to you, there's NOTHING you can do about it but just go head and fall de' fuck out.
at any rate, i went to Best Buy and copped the unrated version for 9.99. i suggest you do the same because the shit is hilarical yo, sooooooooo many parts that'll have you in rewind mode. here's one of the outtakes...
at any rate, i went to Best Buy and copped the unrated version for 9.99. i suggest you do the same because the shit is hilarical yo, sooooooooo many parts that'll have you in rewind mode. here's one of the outtakes...